In A.G. Cook’s music, nothing is stable. Computerized beats bounce along steadily, then suddenly skid rapidly ahead or stretch like virtual taffy. Earnest vocals get giddily pitch-shifted and skewed by distortion and effects. Tunes suddenly change key; mixes turn themselves inside out; realistic acoustic instruments begin to wow and flutter. Any semblance of predictability gets upended by human whim, as if, sooner or later, some ghost in the machine can’t resist twirling all the…

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